Whoa. I’m always up for a movie
that makes you think. The air of mystery in Shutter Island
drives the plot the whole movie, keeping you on the edge of your seat pondering
what could be the resolution. This is not a good movie to have any sort of
spoilers given out because, while I think it would have value watching it
multiple times, it’s got an excellent vibe for the first time viewer, which I
was. So I’m going to flip the order around and start out saying: Go watch it.
This movie’s good. And if for some reason you’ve got 150 movies in your Netflix
DVD Queue you think could top this film, well, here’s why you’re probably
wrong, without any spoilers.
Let’s talk genre. Film-noir, while
this is a genre I haven’t gotten into, if all film-noir movies had this good
writing and plot execution, I’d be ready to grab some popcorn for an all night
marathon. I feel like there’s a lot of places to go with this genre, and the
classic Film-Noir genre revived in the Neo-Film-Noir era is a fresh pacing in
film with such a large drop in popularity around the sixties. With this great
writing it adds to the genre as a whole, while being true to the time period in
which they were first set, which I felt was a nod to the original works of art,
with similar styles of dialogue, clothing, setting, and technology present. I
was surprised to see Film-Noir listed as Shutter Island ’s
primary genre, as it had been talked up as horror to me. While I don’t see it
as a horror film, I would say it is a suspense thriller in addition to
film-noir. These two elements, however, only added to the gritty crime drama
unfolding before the viewers that had deep dialogue while still pacing the plot
quickly enough that no one loses interest.
On to themes! The first theme is
man versus society. A man and his new partner go onto an entirely enclosed
island of psychopaths. Creepy stuff. But these psychopaths are living in a
mental institution that is portrayed as a community. This community is the
society our main hero works so hard to fight against. Everyone on the island
lives in their own world: refusing to cooperate with common practice, ignoring
laws, and skewing treatment of the criminally insane. The marshal and his partner
struggle to uncover the escape of one of the patients in the community, who is
perhaps one of the most insane excluding Ward C, an area isolate from the rest
of the community for the people the outside world would have addressed as
dangerously hopeless. It is difficult for the two cops to face such an odd
environment while keeping their cool.
This theme also predominantly
focuses on man versus himself. This becomes more prevalent as the movie goes
on, where the presence of the insane and the protagonist’s sickness start
building up on themselves. We are given an insight to the mind that feeds back
on his memories in World War II and those of his deceased wife, as well as a
look at his mental ability to solve such an unorthodox case being pushed to its
maximum potential.
I had wanted to see this movie for
quite some time. I worked hard to make sure nothing was spoiled for me, and the
experience was great. However, whether something’s been spoiled, or you’ve seen
it, go out and rent this movie for some fine works, and some good stuff to
think on. This movie seems like it could be one where a second perspective from
a more omniscient view could be quite enlightening. Like I said before, this
movie is good. I’d give this a 4.25 out of 5 patients.
0 comments:
Post a Comment
Note: Only a member of this blog may post a comment.